https://www.loriwarner.com/workshop-prints daily 0.75 2014-11-11 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388218269-IWYNN82YC0GX74DCW0LK/bonefish+creek+01.jpg Lori Warner - Monotype 'Workshop Prints' - Bonefish Creek 01 Bitter Guana Original monotype 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388218170-976KUFD0J1BRD3CXRAVE/sailoboats+at+anchor+01.jpg Lori Warner - Monotype 'Workshop Prints' - Sailboats at Anchor 01 Sailboats at Anchor 01 Original monotype - sold 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388222570-X6M45OTJ5NGX4GLL2KIO/cay04.jpg Lori Warner - Monotype 'Workshop Prints' - Cay 04 Cay 04 Original monotype 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388219070-WRXU4GJ47J5US7MCF9PZ/cay00.jpg Lori Warner - Monotype 'Workshop Prints' - Cay 03 Cay 03 Original monotype 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388218770-VPPDZHKESUX49U03BBYL/photo+2.jpg Lori Warner - Monotype 'Workshop Prints' - Monday in the Boat Monday in the Boat Original monotype 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388222669-0E4BGJXT1V4C3N7HU3FO/bitter+guana.jpg Lori Warner - Monotype 'Workshop Prints' - Bitter Guana Bitter Guana Original monotype 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388222370-RS4OZIMBGI3WOVU8NV2T/big+rock+cut.jpg Lori Warner - Monotype 'Workshop Prints' - Big Rock Cut Big Rock Cut Original monotype 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388222770-0EIJKFCK36V3YMSIXSTF/staniel+cay+bonefish+01.jpg Lori Warner - Monotype 'Workshop Prints' - Staniel Cay Bonefish 01 Staniel Cay Bonefish 01 Original monotype - sold 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388218970-W5TQQHFV8UXXOSAQOTJL/exuma+bank.jpg Lori Warner - Monotype 'Workshop Prints' - Exuma Bank Exuma Bank Original monotype - sold 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388218869-O1XQGXTT50EHKJ57XBK0/from+the+dock+01.jpg Lori Warner - Monotype 'Workshop Prints' - From The Dock 01 From the Dock 01 Original monotype - sold 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388222470-1FTZBQ4CKFJFOSXSSD95/staniel+cay+bonefish+06.jpg Lori Warner - Monotype 'Workshop Prints' - Staniel Cay Bonefish 06 Staniel Cay Bonefish 06 Original monotype - sold 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388218469-86XK3KHE8T1HRGDT29SG/near+sampson+cay.jpg Lori Warner - Monotype 'Workshop Prints' - Near Sampson Cay Near Sampson Cay Original monotype - sold 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388218669-ZXYG38T9F3BFFBXBT02T/joan%27s+hibiscus.jpg Lori Warner - Monotype 'Workshop Prints' - Joan's Hibiscus Joan's Hibiscus Original monotype - sold 7"x 7" plate (image), 12" x 15" paper with deckle edge custom white wood frame Giclee print in limited edition, three sizes. Since her childhood, Lori Warner has spent the majority of her winters in the Islands of the Bahamas. In 2009 she partnered with Staniel Cay Yacht Club to begin a series of printmaking workshops held throughout the year. During these workshops, she also creates a series of her own work. Lori’s original monotypes and limited edition giclee prints have steadily developed a strong following. In this series she captures the essence of the Islands through the colors of the water, flora and coral island landscape. https://www.loriwarner.com/dalton-ghetti/dalton-ghetti daily 0.75 2012-02-11 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523477690552-0H6R2I40A2H1HXT76CVW/dalton-ghetti-amazing-pencil-art-1_RyRWx_11446.jpg Dalton Ghetti https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388156969-YPY4VI8FD57HG9TIGIMG/button+final.lo.jpg Dalton Ghetti - Button Dalton Ghetti signed giclee prints and postcards are available. BIOGRAPHY Dalton began learning how to handle tools at the young age of 6 when at school in Brazil, he and the other students used either a razor blade or a pocket knife to sharpen their pencils for drawing and writing. Also, his mother was a seamstress. When Dalton was 8 years old, she taught him how to use a sewing needle to help her with simple projects like hemming and sewing buttons. At the age of 9, his parents gave him a set of metal tools for children, which he used to make his own boxes, toys and go-carts. This is also the age when he began sculpting with knives, chisels and a hammer. Ever since, he has created many objects out of all kinds of materials. At first, he carved large objects; but in 1986, as a challenge to himself and because of his interest in small living things, like plants (moss) and insects (spiders and ants), he decided to create the smallest possible carvings that he could see with his naked eyes. One day, he picked up a working pencil and started carving it. His idea is to bring people’s attention to small things. Small is beautiful. Most of the pencils he uses are found on the streets and sidewalks. Dalton’s work is a recycling process. He turns discarded objects into art. To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time. It therefore takes months or sometimes years to complete a sculpture. For Dalton, sculpting pencils is a hobby and a form of meditation, which requires a lot of patience. His pencil carvings are not for sale. He doesn’t do it for money. He sculpts pencils mostly for himself and his art comes from his heart. He wants to keep it that way. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388156270-U1O0WKMWVM81NMX4QQIR/chain.lo.jpg Dalton Ghetti - Chain Dalton Ghetti signed giclee prints and postcards are available. BIOGRAPHY Dalton began learning how to handle tools at the young age of 6 when at school in Brazil, he and the other students used either a razor blade or a pocket knife to sharpen their pencils for drawing and writing. Also, his mother was a seamstress. When Dalton was 8 years old, she taught him how to use a sewing needle to help her with simple projects like hemming and sewing buttons. At the age of 9, his parents gave him a set of metal tools for children, which he used to make his own boxes, toys and go-carts. This is also the age when he began sculpting with knives, chisels and a hammer. Ever since, he has created many objects out of all kinds of materials. At first, he carved large objects; but in 1986, as a challenge to himself and because of his interest in small living things, like plants (moss) and insects (spiders and ants), he decided to create the smallest possible carvings that he could see with his naked eyes. One day, he picked up a working pencil and started carving it. His idea is to bring people’s attention to small things. Small is beautiful. Most of the pencils he uses are found on the streets and sidewalks. Dalton’s work is a recycling process. He turns discarded objects into art. To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time. It therefore takes months or sometimes years to complete a sculpture. For Dalton, sculpting pencils is a hobby and a form of meditation, which requires a lot of patience. His pencil carvings are not for sale. He doesn’t do it for money. He sculpts pencils mostly for himself and his art comes from his heart. He wants to keep it that way.  https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388157169-1847ULOLKQA4HNNR7F8E/final+pumpkin.lo.jpg Dalton Ghetti - Pumpkin Original pencil tip sculpture on display at Lori Warner Studio / Gallery, not for sale. Signed giclee prints and postcards are available. BIOGRAPHY Dalton began learning how to handle tools at the young age of 6 when at school in Brazil, he and the other students used either a razor blade or a pocket knife to sharpen their pencils for drawing and writing. Also, his mother was a seamstress. When Dalton was 8 years old, she taught him how to use a sewing needle to help her with simple projects like hemming and sewing buttons. At the age of 9, his parents gave him a set of metal tools for children, which he used to make his own boxes, toys and go-carts. This is also the age when he began sculpting with knives, chisels and a hammer. Ever since, he has created many objects out of all kinds of materials. At first, he carved large objects; but in 1986, as a challenge to himself and because of his interest in small living things, like plants (moss) and insects (spiders and ants), he decided to create the smallest possible carvings that he could see with his naked eyes. One day, he picked up a working pencil and started carving it. His idea is to bring people’s attention to small things. Small is beautiful. Most of the pencils he uses are found on the streets and sidewalks. Dalton’s work is a recycling process. He turns discarded objects into art. To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time. It therefore takes months or sometimes years to complete a sculpture. For Dalton, sculpting pencils is a hobby and a form of meditation, which requires a lot of patience. His pencil carvings are not for sale. He doesn’t do it for money. He sculpts pencils mostly for himself and his art comes from his heart. He wants to keep it that way.  https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388153670-J3PR9G0GYE2ECAGMCCZ6/singleheart.lo.img4986.jpg Dalton Ghetti - Single Heart Dalton Ghetti signed giclee prints and postcards are available. BIOGRAPHY Dalton began learning how to handle tools at the young age of 6 when at school in Brazil, he and the other students used either a razor blade or a pocket knife to sharpen their pencils for drawing and writing. Also, his mother was a seamstress. When Dalton was 8 years old, she taught him how to use a sewing needle to help her with simple projects like hemming and sewing buttons. At the age of 9, his parents gave him a set of metal tools for children, which he used to make his own boxes, toys and go-carts. This is also the age when he began sculpting with knives, chisels and a hammer. Ever since, he has created many objects out of all kinds of materials. At first, he carved large objects; but in 1986, as a challenge to himself and because of his interest in small living things, like plants (moss) and insects (spiders and ants), he decided to create the smallest possible carvings that he could see with his naked eyes. One day, he picked up a working pencil and started carving it. His idea is to bring people’s attention to small things. Small is beautiful. Most of the pencils he uses are found on the streets and sidewalks. Dalton’s work is a recycling process. He turns discarded objects into art. To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time. It therefore takes months or sometimes years to complete a sculpture. For Dalton, sculpting pencils is a hobby and a form of meditation, which requires a lot of patience. His pencil carvings are not for sale. He doesn’t do it for money. He sculpts pencils mostly for himself and his art comes from his heart. He wants to keep it that way.  https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388153570-9TAP7HMXQKIQ7OKMR8DS/thread.lo.img5005.jpg Dalton Ghetti - Needle and Thread Dalton Ghetti signed giclee prints and postcards are available. BIOGRAPHY Dalton began learning how to handle tools at the young age of 6 when at school in Brazil, he and the other students used either a razor blade or a pocket knife to sharpen their pencils for drawing and writing. Also, his mother was a seamstress. When Dalton was 8 years old, she taught him how to use a sewing needle to help her with simple projects like hemming and sewing buttons. At the age of 9, his parents gave him a set of metal tools for children, which he used to make his own boxes, toys and go-carts. This is also the age when he began sculpting with knives, chisels and a hammer. Ever since, he has created many objects out of all kinds of materials. At first, he carved large objects; but in 1986, as a challenge to himself and because of his interest in small living things, like plants (moss) and insects (spiders and ants), he decided to create the smallest possible carvings that he could see with his naked eyes. One day, he picked up a working pencil and started carving it. His idea is to bring people’s attention to small things. Small is beautiful. Most of the pencils he uses are found on the streets and sidewalks. Dalton’s work is a recycling process. He turns discarded objects into art. To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time. It therefore takes months or sometimes years to complete a sculpture. For Dalton, sculpting pencils is a hobby and a form of meditation, which requires a lot of patience. His pencil carvings are not for sale. He doesn’t do it for money. He sculpts pencils mostly for himself and his art comes from his heart. He wants to keep it that way.  https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388155170-EAIKSETC9H34V5TNVR5J/saw.img12056.lo.jpg Dalton Ghetti - Saw Dalton Ghetti signed giclee prints and postcards are available. BIOGRAPHY Dalton began learning how to handle tools at the young age of 6 when at school in Brazil, he and the other students used either a razor blade or a pocket knife to sharpen their pencils for drawing and writing. Also, his mother was a seamstress. When Dalton was 8 years old, she taught him how to use a sewing needle to help her with simple projects like hemming and sewing buttons. At the age of 9, his parents gave him a set of metal tools for children, which he used to make his own boxes, toys and go-carts. This is also the age when he began sculpting with knives, chisels and a hammer. Ever since, he has created many objects out of all kinds of materials. At first, he carved large objects; but in 1986, as a challenge to himself and because of his interest in small living things, like plants (moss) and insects (spiders and ants), he decided to create the smallest possible carvings that he could see with his naked eyes. One day, he picked up a working pencil and started carving it. His idea is to bring people’s attention to small things. Small is beautiful. Most of the pencils he uses are found on the streets and sidewalks. Dalton’s work is a recycling process. He turns discarded objects into art. To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time. It therefore takes months or sometimes years to complete a sculpture. For Dalton, sculpting pencils is a hobby and a form of meditation, which requires a lot of patience. His pencil carvings are not for sale. He doesn’t do it for money. He sculpts pencils mostly for himself and his art comes from his heart. He wants to keep it that way.  https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388157270-K7ZQJR7FBYRTDINRYLRK/screw2.lo.jpg Dalton Ghetti - Screw Dalton Ghetti signed giclee prints and postcards are available. BIOGRAPHY Dalton began learning how to handle tools at the young age of 6 when at school in Brazil, he and the other students used either a razor blade or a pocket knife to sharpen their pencils for drawing and writing. Also, his mother was a seamstress. When Dalton was 8 years old, she taught him how to use a sewing needle to help her with simple projects like hemming and sewing buttons. At the age of 9, his parents gave him a set of metal tools for children, which he used to make his own boxes, toys and go-carts. This is also the age when he began sculpting with knives, chisels and a hammer. Ever since, he has created many objects out of all kinds of materials. At first, he carved large objects; but in 1986, as a challenge to himself and because of his interest in small living things, like plants (moss) and insects (spiders and ants), he decided to create the smallest possible carvings that he could see with his naked eyes. One day, he picked up a working pencil and started carving it. His idea is to bring people’s attention to small things. Small is beautiful. Most of the pencils he uses are found on the streets and sidewalks. Dalton’s work is a recycling process. He turns discarded objects into art. To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time. It therefore takes months or sometimes years to complete a sculpture. For Dalton, sculpting pencils is a hobby and a form of meditation, which requires a lot of patience. His pencil carvings are not for sale. He doesn’t do it for money. He sculpts pencils mostly for himself and his art comes from his heart. He wants to keep it that way.  https://www.loriwarner.com/denyse-schmidt daily 0.75 2013-01-11 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388146185-GL0LYFTIH05Z1ZH1YM61/mtlebanon1_8x8.crop.jpg Denyse Schmidt - Denyse Schmidt, Hope as the Anchor of the Soul, Mount Lebanon #1 Queen size, 85" x 92" Price upon request. Five years ago, Denyse made a pilgrimage to the Mount Lebanon Shaker Village in upstate New York. “I was struck by the raw beauty in the empty, decaying interiors that were awaiting restoration.” said Denyse. Inspired by the knocked out doorjambs, random linear gashes in the walls that exposed ribbons of lath, and cream on cream layers of plaster, Denyse visually translated these observations into the minimal piecing design featured in this collection. “The palette I selected for these quilts suggests a sense of faded beauty and things fallen out of use.” says Denyse. “I chose a base of parchment, and trimmed it with accents of somber colored fabrics.” She continues, “I wanted these fabrics to suggest old bits of clothing that one might find folded up and wrapped in tissue paper, tucked away in a hidden trunk.” These accent fabrics have rich texture and flashes of intense color, such as lace with metallic thread running throughout, or embroidered linen. Her Mt. Lebanon series was recently exhibited at Ralph Pucci International in NYC. Denyse draws her quilting lines by eye, not by measure. The lines are then hand-stitched by women of the Amish community in Minnesota who have been collaborating with Denyse for 15 years. Denyse studied graphic design at RISD and as been designing and making quilts for over a decade in her studio located in a historic factory building in Bridgeport. She has been published in hundreds of distinguished magazines and newspapers worldwide including The New York Times Magazine, TIME and People Magazine. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388146184-XTEJV7AEVBEL2W6ZZ4RY/mtlebanon3_8x8-1.crop.jpg Denyse Schmidt - Denyse Schmidt, Hope as the Anchor of the Soul, Mount Lebanon #3 Queen size, 85" x 92" SOLD Five years ago, Denyse made a pilgrimage to the Mount Lebanon Shaker Village in upstate New York. “I was struck by the raw beauty in the empty, decaying interiors that were awaiting restoration.” said Denyse. Inspired by the knocked out doorjambs, random linear gashes in the walls that exposed ribbons of lath, and cream on cream layers of plaster, Denyse visually translated these observations into the minimal piecing design featured in this collection. “The palette I selected for these quilts suggests a sense of faded beauty and things fallen out of use.” says Denyse. “I chose a base of parchment, and trimmed it with accents of somber colored fabrics.” She continues, “I wanted these fabrics to suggest old bits of clothing that one might find folded up and wrapped in tissue paper, tucked away in a hidden trunk.” These accent fabrics have rich texture and flashes of intense color, such as lace with metallic thread running throughout, or embroidered linen. Her Mt. Lebanon series was recently exhibited at Ralph Pucci International in NYC. Denyse draws her quilting lines by eye, not by measure. The lines are then hand-stitched by women of the Amish community in Minnesota who have been collaborating with Denyse for 15 years. Denyse studied graphic design at RISD and as been designing and making quilts for over a decade in her studio located in a historic factory building in Bridgeport. She has been published in hundreds of distinguished magazines and newspapers worldwide including The New York Times Magazine, TIME and People Magazine. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388147721-04DVBACDE3G3FOWGH197/denyse+schmidt+rp+photo.jpg Denyse Schmidt - Denyse Schmidt, Hope as the Anchor of the Soul, Mount Lebanon #3 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388146185-0KFRVBYNASK644ZCB73I/mtlebanon4_8x8.crop.jpg Denyse Schmidt - Denyse Schmidt, Hope as the Anchor of the Soul, Mount Lebanon #4 Denyse Schmidt, Hope as the Anchor of the Soul, Mount Lebanon #4 Queen size, 85" x 92" SOLD Five years ago, Denyse made a pilgrimage to the Mount Lebanon Shaker Village in upstate New York. “I was struck by the raw beauty in the empty, decaying interiors that were awaiting restoration.” said Denyse. Inspired by the knocked out doorjambs, random linear gashes in the walls that exposed ribbons of lath, and cream on cream layers of plaster, Denyse visually translated these observations into the minimal piecing design featured in this collection. “The palette I selected for these quilts suggests a sense of faded beauty and things fallen out of use.” says Denyse. “I chose a base of parchment, and trimmed it with accents of somber colored fabrics.” She continues, “I wanted these fabrics to suggest old bits of clothing that one might find folded up and wrapped in tissue paper, tucked away in a hidden trunk.” These accent fabrics have rich texture and flashes of intense color, such as lace with metallic thread running throughout, or embroidered linen. Her Mt. Lebanon series was recently exhibited at Ralph Pucci International in NYC. Denyse draws her quilting lines by eye, not by measure. The lines are then hand-stitched by women of the Amish community in Minnesota who have been collaborating with Denyse for 15 years. Denyse studied graphic design at RISD and as been designing and making quilts for over a decade in her studio located in a historic factory building in Bridgeport. She has been published in hundreds of distinguished magazines and newspapers worldwide including The New York Times Magazine, TIME and People Magazine. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388145957-GUIBXSJIVSSWFFTXR2NH/mtlebanon5_8x8.crop.jpg Denyse Schmidt - Denyse Schmidt, Hope as the Anchor of the Soul, Mount Lebanon #5 Queen size, 85" x 92" Price upon request. Five years ago, Denyse made a pilgrimage to the Mount Lebanon Shaker Village in upstate New York. “I was struck by the raw beauty in the empty, decaying interiors that were awaiting restoration.” said Denyse. Inspired by the knocked out doorjambs, random linear gashes in the walls that exposed ribbons of lath, and cream on cream layers of plaster, Denyse visually translated these observations into the minimal piecing design featured in this collection. “The palette I selected for these quilts suggests a sense of faded beauty and things fallen out of use.” says Denyse. “I chose a base of parchment, and trimmed it with accents of somber colored fabrics.” She continues, “I wanted these fabrics to suggest old bits of clothing that one might find folded up and wrapped in tissue paper, tucked away in a hidden trunk.” These accent fabrics have rich texture and flashes of intense color, such as lace with metallic thread running throughout, or embroidered linen. Her Mt. Lebanon series was recently exhibited at Ralph Pucci International in NYC. Denyse draws her quilting lines by eye, not by measure. The lines are then hand-stitched by women of the Amish community in Minnesota who have been collaborating with Denyse for 15 years. Denyse studied graphic design at RISD and as been designing and making quilts for over a decade in her studio located in a historic factory building in Bridgeport. She has been published in hundreds of distinguished magazines and newspapers worldwide including The New York Times Magazine, TIME and People Magazine. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388146185-KZKFN5KT7AQSU3H36C7G/mount+lebanon.jpg Denyse Schmidt - Photograph from Denyse Schmidt's Mt Lebanon visit https://www.loriwarner.com/commissions daily 0.75 2018-05-24 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388199769-I16QTO0N2JXQ8G8B05OA/ballardcommission.kt.highres.jpg Lori Warner - Commissioned Work - Ballard Commission COMMISSIONED WORKS This piece is 40" x 60" given as a surprise birthday gift to Dr Robert Ballard. It has over 90 images and text from many phases of his vibrant family life and career as an ocean explorer. Commissioned artwork in portraits and landscapes are offered on a limited basis. Portrait commissions incorporate imagery from your own personal photographs into the woven intaglio or encaustic painting process, resulting in a unique print or painting. A collectible, contemporary work of art for your family portrait. Landscape work is first created en plein air as a composition study in oil. Then, taken into the studio and interpreted into a larger piece in your choice of medium; oil painting, encaustic painting or unique woven monotype. Email Lori to learn more about commissioning a piece of original artwork to capture your special memories, celebrate a milestone, or to honor someone important to you. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388199769-I16QTO0N2JXQ8G8B05OA/ballardcommission.kt.highres.jpg Lori Warner - Commissioned Work - Ballard Commission COMMISSIONED WORKS This piece is 40" x 60" given as a surprise birthday gift to Dr Robert Ballard. It has over 90 images and text from many phases of his vibrant family life and career as an ocean explorer. Commissioned artwork in portraits and landscapes are offered on a limited basis. Portrait commissions incorporate imagery from your own personal photographs into the woven intaglio or encaustic painting process, resulting in a unique print or painting. A collectible, contemporary work of art for your family portrait. Landscape work is first created en plein air as a composition study in oil. Then, taken into the studio and interpreted into a larger piece in your choice of medium; oil painting, encaustic painting or unique woven monotype. Email Lori to learn more about commissioning a piece of original artwork to capture your special memories, celebrate a milestone, or to honor someone important to you. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388200639-XZ5ZWWND5CYE5GFXWIOP/mirabitocommission.kt.highres.jpg Lori Warner - Commissioned Work - Mirabito Commission COMMISSIONED WORKS This piece is 16" x 17" plate size. It was given as a surprise retirement gift to teacher, mother, grandmother and wife. I'll be adding an additional photo of a new grandchild into the weaving. One of the more unique details in this type of artwork is that additions can be made to the piece over time allowing the piece to grow and adapt. Commissioned artwork in portraits and landscapes are offered on a limited basis. Portrait commissions incorporate imagery from your own personal photographs into the woven intaglio or encaustic painting process, resulting in a unique print or painting. A collectible, contemporary work of art for your family portrait. Landscape work is first created en plein air as a composition study in oil. Then, taken into the studio and interpreted into a larger piece in your choice of medium; oil painting, encaustic painting or unique woven monotype. Email Lori to learn more about commissioning a piece of original artwork to capture your special memories, celebrate a milestone, or to honor someone important to you. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388198669-FO3584WOYXV1RT9XS3V8/happie.sandmann.jpg Lori Warner - Commissioned Work - For David, Happie 2012 COMMISSIONED WORKS This piece was commissioned to remember a family pet. A sentimental, little pet portrait for a lovely family. Commissioned artwork in portraits and landscapes are offered on a limited basis. Portrait commissions incorporate imagery from your own personal photographs into the woven intaglio or encaustic painting process, resulting in a unique print or painting. A collectible, contemporary work of art for your family portrait. Landscape work is first created en plein air as a composition study in oil. Then, taken into the studio and interpreted into a larger piece in your choice of medium; oil painting, encaustic painting or unique woven monotype. Email Lori to learn more about commissioning a piece of original artwork to capture your special memories, celebrate a milestone, or to honor someone important to you. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388197272-JUWVCKBFJD0HF2ESGK47/reynolds150.warner.med.jpg Lori Warner - Commissioned Work - Reynolds 150th Anniversary COMMISSIONED WORKS Commissioned artwork in portraits and landscapes are offered on a limited basis. Portrait commissions incorporate imagery from your own personal photographs into the woven intaglio or encaustic painting process, resulting in a unique print or painting. A collectible, contemporary work of art for your family portrait. Landscape work is first created en plein air as a composition study in oil. Then, taken into the studio and interpreted into a larger piece in your choice of medium; oil painting, encaustic painting or unique woven monotype. Email Lori to learn more about commissioning a piece of original artwork to capture your special memories, celebrate a milestone, or to honor someone important to you. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527172627900-XSNDJPCEFAYSQTGYMLX7/sailboat+hamburg+cove.600.jpg Lori Warner - Commissioned Work - Sailboat Hamburg Cove COMMISSIONED WORKS This piece was commissioned to be the centerpiece of an office in historic Hamburg Cove, CT. The imagery was adapted from original photogrpahs from the 1940's where the current office building stands today. Commissioned artwork in portraits and landscapes are offered on a limited basis. Portrait commissions incorporate imagery from your own personal photographs into the woven intaglio or encaustic painting process, resulting in a unique print or painting. A collectible, contemporary work of art for your family portrait. Landscape work is first created en plein air as a composition study in oil. Then, taken into the studio and interpreted into a larger piece in your choice of medium; oil painting, encaustic painting or unique woven monotype. Email Lori to learn more about commissioning a piece of original artwork to capture your special memories, celebrate a milestone, or to honor someone important to you. https://www.loriwarner.com/current-past-exhibitions daily 0.75 2018-04-11 https://www.loriwarner.com/lori-warner-horizon-in-vertical daily 0.75 2018-05-15 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526410098292-KI5LKI5TVOVAGIS7KENT/Veritcal%3A+Wind.JPG Lori Warner - Horizon In Vertical https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526410098292-KI5LKI5TVOVAGIS7KENT/Veritcal%3A+Wind.JPG Lori Warner - Horizon In Vertical https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526410104939-ACYJLKFZ8WD0NQF7MDR1/Vertical%3A+Dusk.JPG Lori Warner - Horizon In Vertical https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526410113832-XO44ZWPDCDLGQOXWTPJU/Vertical%3A+Shore.JPG Lori Warner - Horizon In Vertical https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526410117802-56SOOKGC5CWFY2RHZ1E5/Vertical%3A+Splash.JPG Lori Warner - Horizon In Vertical https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526410133858-R5MJT021EI81A0OEDMGD/Vertical%3AGarden.JPG Lori Warner - Horizon In Vertical https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526410143410-ANQPG7AV5IGEVXKR4QDE/Vertical%3ARain.JPG Lori Warner - Horizon In Vertical https://www.loriwarner.com/nest daily 0.75 2012-11-04 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523477354106-Z3SKGXBXN20EF7R81X31/nest.jpg Nest https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388143869-FFRUZIWHYQ3627FGBB5O/nest_pr_with_names.jpg Nest - N E S T - an evocative study by three artists in three media Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-0XERHWLS446EDDE9RB7Z/patsmith01.jpg Nest - Pat Smith, Porcelain, 2011 SOLD Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-XMTIQ1JKCIAVWIQJIC07/patsmith03.jpg Nest - Pat Smith, Porcelain Detail, 2011 SOLD Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388143570-65KJ8RTLQQZLY3TVQWZ1/monotype03.jpg Nest - Lori Warner, Nest 01, Monotype, 2011 Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388143770-IAJK3EIVLN6O5HLVKC9B/nest.warner.color.jpg Nest - Lori Warner, Monotype, 2010 Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-QXF4FJA2OX1J6H8VWT0S/nest.ps.bluespotegg.jpg Nest - Blue Spot Egg SOLD Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-17VXWIWXHJNW45Y56BFI/nest.ps.spotbowl01.jpg Nest - Pat Smith, Porcelain, 2011 SOLD Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-IFVYBWJQUFZMCSJVX446/nest.ps.trioeggs.jpg Nest - Pat Smith,Trio of Eggs, Porcelain, 2011 Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-942TXHZ2YN63V93KHZGV/nest.ps.whiteegg.jpg Nest - Pat Smith, White Egg, Porcelain, 2011 Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-A78G1V9KBW5QE2W7CMQ9/nest.psdv01.jpg Nest - Pat Smith and Dina Varano, Porcelain and Sterling, 2011 Opening Reception, Friday June 10th, 6-8pm Exhibition on view, June 10th - July 10th, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints.  https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-FNDEI8AD4CKF1BQ4MQZ6/nestpsdv02.jpg Nest - Pat Smith and Dina Varano, Porcelain and Sterling, 2011 N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-ADE4T91AMX8QN9QL0SGT/nest.dv.copper01.jpg Nest - Dina Varano, Copper Nest N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388143970-WR0A6FIL35SKZLBK0727/dina+varano+bw+copper+nest.jpg Nest - Dina Varano, Nest N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388140444-U43PQDJANC40OKNMGDAW/dina+varano+woven+copper+nest.jpg Nest - Dina Varano, Woven Copper Nest N E S T as defined is a structure or place made or chosen for sheltering. This exhibit explores the idea of nest in three media in a collaborative spirit amongst three prominent Connecticut artists – Lori Warner, Dina Varano and Pat Smith. They have passionately crafted the concept of N E S T to turn their personal meanings into tangible art, resulting in this interesting and unexpected exhibit.  The Lori Warner Studio/Gallery will feature this exclusive exhibit entitled “N E S T – an evocative study”. The exhibit will be on view from June 10 – July 10, 2011. There will be artwork on view and for sale ranging from small porcelain bowls and sculpture, to large woven prints. https://www.loriwarner.com/staniel daily 0.75 2023-01-19 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527621827349-95Z6I0T8L1GNQ59CDQU3/IMG_0203.jpg Staniel Cay Slideshow https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338924278-F1N46DDCL1L654NST98Q/IMG_1431.jpg Staniel Cay Slideshow - Go left! https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531342360651-J6DKE4069HHJBHF94HSG/IMG_3832.jpg Staniel Cay Slideshow - Swimming piggy https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338149452-JLBJOE8E2VU76433PCBZ/IMG_8454.jpg Staniel Cay Slideshow - Flying over the Exumas https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338748595-8JBLS9JY6CSBXKIEFBUQ/IMG_4891.JPG Staniel Cay Slideshow - one stop on the workshop boat trip https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338496003-0OG46621UWU3EJEMBIN4/IMG_4749.JPG Staniel Cay Slideshow - the perfect Bahamian water https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531337914643-QFL39ACP4YI3VF4BRHEL/fullsizeoutput_65d0.jpeg Staniel Cay Slideshow - the path from the studio to the private beach https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338695180-SSCWRDC3O1ULQSXLNEZX/IMG_4462.JPG Staniel Cay Slideshow - the studio https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531341496335-AQ5QUHL5EZ7NM0JQB8X6/IMG_1638.jpg Staniel Cay Slideshow - View from the studio https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531339274717-OJI7BBPYT123NNOKYEEX/IMG_0207.jpg Staniel Cay Slideshow - the studio https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531339467574-QTW7OEP8XL15TLF3BK7H/IMG_3760.jpg Staniel Cay Slideshow - the ink table https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531339540077-SNP0QF0PNV2CRNORBCIJ/IMG_4110.jpg Staniel Cay Slideshow - lori giving a collage demo https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338686168-71PCYF9O39KHNHVJVTJU/IMG_3756.JPG Staniel Cay Slideshow - the press room https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527621511048-YKF6U0UUIT4QJADCDOYW/IMG_0271.jpg Staniel Cay Slideshow https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338751928-2W0V0J3OIMZZTE31DWZF/IMG_5488.JPG Staniel Cay Slideshow - lori's demo print https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338757115-P9DX7B6HWDP59DGER9F6/IMG_5073.JPG Staniel Cay Slideshow - Staniel sunshine https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1580242342822-14AOSEQ1XFN2ZWVTHXGT/Turtle.jpg Staniel Cay Slideshow - Green sea turtle https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531340342704-35TQOEEFOYCKHIBXPLRE/IMG_4495.JPG Staniel Cay Slideshow - a stop to see the iguanas on boat trip day https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338728544-KJDMHUNOT5AYLMK8ZAXC/fullsizeoutput_6999.jpeg Staniel Cay Slideshow - afternoon swim at our private beach https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338731320-S7CS022ZMFB5C4OOGZLN/fullsizeoutput_69a4.jpeg Staniel Cay Slideshow - enjoying our private beach https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338716429-EL3N6CHDA041DVWI8N9W/fullsizeoutput_69b3.jpeg Staniel Cay Slideshow - enjoying the sun on Staniel at our private beach https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527621536549-GTKBERM283X2YV74C74V/IMG_1675.jpg Staniel Cay Slideshow - Fish-bench at SCYC https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338490338-09UX9GVJ1W8LNGI1MT88/DSC02800.JPG Staniel Cay Slideshow - Spiny lobsters https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1580247171633-H4V5DMF6UY2947NO4HH0/IMG_0213.jpg Staniel Cay Slideshow - SCYC fish-bench and sharks https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531339197679-KI302Z5BW8XXVTLPMHU2/IMG_0175.jpg Staniel Cay Slideshow https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338749955-TX3PA227JR931V91KBCM/IMG_4953.JPG Staniel Cay Slideshow - Sunset from Staniel https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527621604437-UW0YBERAI4OKR52BHELJ/IMG_4417.jpg Staniel Cay Slideshow - SCYC at night https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531341915603-4ZV5D8J4DZ7454R0QZ5O/IMG_0602.jpg Staniel Cay Slideshow - Final dinner https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527621517601-NX9W44BQBP8L4Y3G74VA/IMG_1459.jpg Staniel Cay Slideshow - Spiny lobster dinner at SCYC https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338898158-19E0IX4QOKJUOSGIJESB/IMG_1553.jpg Staniel Cay Slideshow - Homemade conch ceviche https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338685452-67AGU9R59LJWBY3NV9KN/IMG_3713.JPG Staniel Cay Slideshow - Bananas outside the club https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531341881565-9C75GK2S2OPP330O3X5V/IMG_8767.jpg Staniel Cay Slideshow - Our exhibition at the club https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531341710356-G499VPRXL84B5IPQ5RSI/fullsizeoutput_65df.jpeg Staniel Cay Slideshow - Our exhibition reception at the club https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531338707501-RW3RETPFUE43HKC6L98M/IMG_4545.JPG Staniel Cay Slideshow - Our exhibition at the club https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531339203586-SP05VOT5T526MT9V9RR9/IMG_0204.jpg Staniel Cay Slideshow - Staniel sunset https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1531339001767-7WLQ0XX0NMCOOQ1RM41G/IMG_0163.jpg Staniel Cay Slideshow - View from the SCYC dock https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527621657532-7NZ4V1U6RTRARUWWYI7K/IMG_8767.jpg Staniel Cay Slideshow https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1580242306155-WIBJGAK6T60DBRPOAY9E/SCYCClub.jpg Staniel Cay Slideshow - SCYC https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1580242294222-TUTZH1TP30Q4TL8E4ZAF/SCYCBergies.jpg Staniel Cay Slideshow - SCYC bar https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1674165414523-J43MH7QNL8EW3MJI4GJL/84C88DD3-5ED8-4043-A9EF-D5B5D6D2E52C_1_201_a.jpeg Staniel Cay Slideshow https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1580242313231-ZLE4DNSKZNQBVZY2653X/StaneilCottages1.jpg Staniel Cay Slideshow - SCYC cottages from the water https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1674165435926-03SSJPRA6646V6Z3BZ1X/99FA4172-19B8-430C-A997-F1FB67EF44D6.jpeg Staniel Cay Slideshow https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1674165415587-SF0JZ8IXZOWCN7E366TO/3A6FB79E-5CF5-4272-9551-C34DB2ACB3FF.jpeg Staniel Cay Slideshow https://www.loriwarner.com/encaustics daily 0.75 2012-03-29 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388208446-BN71RBKUILM23DGC4JYK/a+place+to+continue.med.jpg Lori Warner - Encaustic Paintings - A Place to Continue ENCAUSTIC PAINTINGS Lori’s work is luminous due to the many layers of wax used to add dimension, both physically and emotionally. Her encaustics are often done at the end of a series of monotypes. The colors and representational forms allude to a specific person or landscape. Forms are inspired by the books Lori reads, the objects she observes in nature and those important in her life. Segments of her prints are frequently layered into the wax of her encaustic panels. Lori’s modern twist is evident in her use of the historically significant medium of encaustic painting. Encaustic painting preserves and seals layers of transparent wax. Historically, it has preserved and colored mummies from Egypt and was used in a similar way on classical statues from the Roman empire. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388208407-BMM0JADVSDGZW84BQOPB/april+16.med.jpg Lori Warner - Encaustic Paintings - April 16 ENCAUSTIC PAINTINGS Lori’s work is luminous due to the many layers of wax used to add dimension, both physically and emotionally. Her encaustics are often done at the end of a series of monotypes. The colors and representational forms allude to a specific person or landscape. Forms are inspired by the books Lori reads, the objects she observes in nature and those important in her life. Segments of her prints are frequently layered into the wax of her encaustic panels. Lori’s modern twist is evident in her use of the historically significant medium of encaustic painting. Encaustic painting preserves and seals layers of transparent wax. Historically, it has preserved and colored mummies from Egypt and was used in a similar way on classical statues from the Roman empire. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388208415-H7HN0097TY14QVG5YEL3/noreaster.300dpi.6inch.jpg Lori Warner - Encaustic Paintings - NorEaster ENCAUSTIC PAINTINGS Lori’s modern twist is evident in her use of the historically significant medium of encaustic painting. Encaustic painting preserves and seals layers of transparent wax. Historically, it has preserved and colored mummies from Egypt and was used in a similar way on classical statues from the Roman empire. Lori’s work is luminous due to the many layers of wax used to add dimension, both physically and emotionally. Her encaustics are often done at the end of a series of monotypes. The colors and representational forms allude to a specific person or landscape. Forms are inspired by the books Lori reads, the objects she observes in nature and those important in her life. Segments of her prints are frequently layered into the wax of her encaustic panels. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388208415-889BSGPLK3NQ12GIVOZI/warner.nest05.jpg Lori Warner - Encaustic Paintings - Nest 05 ENCAUSTIC PAINTINGS Lori’s work is luminous due to the many layers of wax used to add dimension, both physically and emotionally. Her encaustics are often done at the end of a series of monotypes. The colors and representational forms allude to a specific person or landscape. Forms are inspired by the books Lori reads, the objects she observes in nature and those important in her life. Segments of her prints are frequently layered into the wax of her encaustic panels. Lori’s modern twist is evident in her use of the historically significant medium of encaustic painting. Encaustic painting preserves and seals layers of transparent wax. Historically, it has preserved and colored mummies from Egypt and was used in a similar way on classical statues from the Roman empire. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388208415-P3XCXOB5SG3W8N27LOXT/warner.nest06.jpg Lori Warner - Encaustic Paintings - Nest 06 ENCAUSTIC PAINTINGS Lori’s work is luminous due to the many layers of wax used to add dimension, both physically and emotionally. Her encaustics are often done at the end of a series of monotypes. The colors and representational forms allude to a specific person or landscape. Forms are inspired by the books Lori reads, the objects she observes in nature and those important in her life. Segments of her prints are frequently layered into the wax of her encaustic panels. Lori’s modern twist is evident in her use of the historically significant medium of encaustic painting. Encaustic painting preserves and seals layers of transparent wax. Historically, it has preserved and colored mummies from Egypt and was used in a similar way on classical statues from the Roman empire. https://www.loriwarner.com/monotypes daily 0.75 2014-05-17 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388188670-PYZ3008VT34OIIITXQ8S/monotype01.low+-+copy.jpg Lori Warner - Monotypes - Cedars in Spring Cedars in Spring, 16.5" x 16" image size, 25" x 30" frame (vertical). Original and Giclee prints are available. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388188869-R4U4Y2B7W65293RGFZ5O/monotype09.low.jpg Lori Warner - Monotypes - Vanishing Island Vanishing Island, 16.5" x 16" image size, 25" x 30" frame (vertical). Original is available. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388188570-47QLOOHR6SWTEX6K0EIL/monotype05.low.jpg Lori Warner - Monotypes - Cedar Point Squall Cedar Point Squall, 16.5" x 16" image size, 25" x 30" frame (vertical) Original is available. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388191169-KVGY7AO1EIER02WZ6QHI/monotype11.jpg Lori Warner - Monotypes - The Boathouse The Boathouse, 16.5" x 16" image size, 25" x 30" frame (vertical) Original is available. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388187969-XX4VXFQOTDFR8Y1XLFO6/monotype02.low+-+copy.jpg Lori Warner - Monotypes - Griswold Point Griswold Point, 16.5" x 16" image size, 25" x 30" frame (vertical), sold. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388188470-7HR3L396SGEQGAWQ0J0S/monotype08.jpg Lori Warner - Monotypes - Monotype 08 Untitled, 16.5" x 16" image size, 25" x 30" frame (vertical), sold. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388188770-7JDY0A7K2ML8ZFO1UT2G/secretsound+2.jpg Lori Warner - Monotypes - Secret Sound Secret Sound, monotype on panel. 30" x 30", $3150 This piece was created in series with a twelve piece commission for Yale Smilow Cancer Center, New Haven, CT. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388188969-5V0Y6E1T1H7MF3QXC1PX/cradle+7.jpg Lori Warner - Monotypes - Cradle Cradle, 16.5" x 16" image size, 25" x 30" frame (vertical), sold. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388190170-J09BEK07QH3Y2IDN0R8L/chesterhistoryferry.low.jpg Lori Warner - Monotypes - Chester History: Ferry to Hadlyme Chester History: Ferry to Hadlyme, 16.5" x 16" image size, 25" x 30" frame (vertical). Limitd edition Giclee prints are available, $550 unframed. MONOTYPE PRINTS Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns. Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete. Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation. https://www.loriwarner.com/jeremy-ziemann daily 0.75 2014-10-15 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388179871-DFWM5OHKE25GHF1KQT83/Jeremy+Ziemann+detail+blue+cast+urethan+structure+2014 Jeremy Ziemann - Jeremy Ziemann, detail, blue cast urethan structure 2014 Jeremy Ziemann - New Work Detail of blue cast urethane structure 2014 Ziemann's new series of works are light sensitive structures that are "captive forms" meant to be explorations of atmosphere and light experience. This is achieved by what Ziemann describes as "minimizing the structure that holds the elements." This new series is "extremely complex in process, but doesn't show it; each piece retains a simplicity and pureness by portraying color and tone in a uniquely contained, and fluid way." Warner says. Ziemann has been working in his studio for many years on personal projects in parallel with the multitude of custom fabrications and collaborations he has done for others. He worked with Sol LeWitt for a period spanning nearly 20 years, first performing wall drawings in the field and then as Ziemann's own studio was developed he worked primarily on LeWitt's structures. He collaborated with LeWitt on unique photo projects and multiples. As explained by Ziemann, "It was a partnership that allowed me to maintain my independence yet further explore our shared interest in geometric forms." Ziemann still oversees the construction of LeWitt's concrete block structures as they are sited for exhibitions, private collectors and museums worldwide. Ziemann is a Chester native returned. His father, Richard is a renowned printmaker who also lives in Chester. Ziemann said that ultimately they "both draw inspiration from our surroundings." More information and images can be found on Facebook. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388179970-PS10UWZC39ZMLWJXGOC2/Jeremy+Ziemann+detail+orange+cast+urethan+structure+2014 Jeremy Ziemann - Jeremy Ziemann, detail, orange cast urethan structure 2014 Jeremy Ziemann - New Work Detail of orange cast urethane structure 2014 Ziemann's new series of works are light sensitive structures that are "captive forms" meant to be explorations of atmosphere and light experience. This is achieved by what Ziemann describes as "minimizing the structure that holds the elements." This new series is "extremely complex in process, but doesn't show it; each piece retains a simplicity and pureness by portraying color and tone in a uniquely contained, and fluid way." Warner says. Ziemann has been working in his studio for many years on personal projects in parallel with the multitude of custom fabrications and collaborations he has done for others. He worked with Sol LeWitt for a period spanning nearly 20 years, first performing wall drawings in the field and then as Ziemann's own studio was developed he worked primarily on LeWitt's structures. He collaborated with LeWitt on unique photo projects and multiples. As explained by Ziemann, "It was a partnership that allowed me to maintain my independence yet further explore our shared interest in geometric forms." Ziemann still oversees the construction of LeWitt's concrete block structures as they are sited for exhibitions, private collectors and museums worldwide. Ziemann is a Chester native returned. His father, Richard is a renowned printmaker who also lives in Chester. Ziemann said that ultimately they "both draw inspiration from our surroundings." More information and images can be found on Facebook. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388179669-PQAJSDENQ262I64NEK1G/Jeremy+Ziemann+detail+gray+cast+urethan+structure+2014 Jeremy Ziemann - Jeremy Ziemann, detail, gray cast urethan structure 2014 Jeremy Ziemann - New Work Detail of gray cast urethane structure 2014 Ziemann's new series of works are light sensitive structures that are "captive forms" meant to be explorations of atmosphere and light experience. This is achieved by what Ziemann describes as "minimizing the structure that holds the elements." This new series is "extremely complex in process, but doesn't show it; each piece retains a simplicity and pureness by portraying color and tone in a uniquely contained, and fluid way." Warner says. Ziemann has been working in his studio for many years on personal projects in parallel with the multitude of custom fabrications and collaborations he has done for others. He worked with Sol LeWitt for a period spanning nearly 20 years, first performing wall drawings in the field and then as Ziemann's own studio was developed he worked primarily on LeWitt's structures. He collaborated with LeWitt on unique photo projects and multiples. As explained by Ziemann, "It was a partnership that allowed me to maintain my independence yet further explore our shared interest in geometric forms." Ziemann still oversees the construction of LeWitt's concrete block structures as they are sited for exhibitions, private collectors and museums worldwide. Ziemann is a Chester native returned. His father, Richard is a renowned printmaker who also lives in Chester. Ziemann said that ultimately they "both draw inspiration from our surroundings." More information and images can be found on Facebook. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388179769-I3JK5ULIPMNPSZFCXZNC/Jeremy+Ziemann+detail+gray+cast+urethan+structure+2014 Jeremy Ziemann - Jeremy Ziemann, detail, gray cast urethan structure 2014 Jeremy Ziemann - New Work Detail of gray cast urethane structure 2014 Ziemann's new series of works are light sensitive structures that are "captive forms" meant to be explorations of atmosphere and light experience. This is achieved by what Ziemann describes as "minimizing the structure that holds the elements." This new series is "extremely complex in process, but doesn't show it; each piece retains a simplicity and pureness by portraying color and tone in a uniquely contained, and fluid way." Warner says. Ziemann has been working in his studio for many years on personal projects in parallel with the multitude of custom fabrications and collaborations he has done for others. He worked with Sol LeWitt for a period spanning nearly 20 years, first performing wall drawings in the field and then as Ziemann's own studio was developed he worked primarily on LeWitt's structures. He collaborated with LeWitt on unique photo projects and multiples. As explained by Ziemann, "It was a partnership that allowed me to maintain my independence yet further explore our shared interest in geometric forms." Ziemann still oversees the construction of LeWitt's concrete block structures as they are sited for exhibitions, private collectors and museums worldwide. Ziemann is a Chester native returned. His father, Richard is a renowned printmaker who also lives in Chester. Ziemann said that ultimately they "both draw inspiration from our surroundings." More information and images can be found on Facebook. https://www.loriwarner.com/mandy-leiva/mandy-carroll-leiva daily 0.75 2023-03-18 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526413015971-SW8NY65SR7YBSEW3FY3I/LeivaSapphER.jpg Adorn by Mandy Carroll - Blue Sapphire Stud Earrings Adorn by Mandy Carroll Simple, light blue sapphire stud earrings. Sapphires and 18k Gold. Available for purchase. Please email the gallery or call us at 860-322-4265 for availability, pricing and additional information. Our site exhibits a select few pieces from this collection. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526413015971-SW8NY65SR7YBSEW3FY3I/LeivaSapphER.jpg Adorn by Mandy Carroll - Blue Sapphire Stud Earrings Adorn by Mandy Carroll Simple, light blue sapphire stud earrings. Sapphires and 18k Gold. Available for purchase. Please email the gallery or call us at 860-322-4265 for availability, pricing and additional information. Our site exhibits a select few pieces from this collection. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679172050187-ODXBTVI1GHWQFOEVL41X/AdornBR164.jpeg Adorn by Mandy Carroll - Carved and Cast Steering Silver Bangle Bracelet with Flush-Set Rubies Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388196969-UG1MCZ1ETEABPJIA8776/Tourmaline+Earrings+18k+Gold Adorn by Mandy Carroll - Blue Tourmaline Earrings with 18k Gold Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679171569281-C5E0M122NREFMPWKG8YK/Adorn2022.jpeg Adorn by Mandy Carroll - Keshi Pearl Pendant with 18k gold and Sterling Silver Paperclip Chain Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679171634395-0GQGFSPSCLRZU1DEELY4/Adorn+Spinel+2022.jpeg Adorn by Mandy Carroll - Pink Spinel Ring with 18k Gold Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679171226088-L38ADVNAZCIJLW7CZE52/NK386.jpeg Adorn by Mandy Carroll - Rutilated Quartz Cluster Pendant with 18k Gold Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679171082242-J5IHVNJWHBM90U6IMQ5P/image-asset.jpeg Adorn by Mandy Carroll - Blue Spinel Stud Earrings with 18k gold Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679171419008-HFJT810U4HLZH0R1L8Q4/AdornDoubleDiamondNecklace.jpeg Adorn by Mandy Carroll - Double Chain Pendant Necklace with Black Diamonds and 18k Gold Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679171326088-TBOGTTS076TH3V23W56S/AdornCustomRing.jpeg Adorn by Mandy Carroll - Hand-carved and Cast Band Ring in 18k gold with Flush-set Sapphires Inquire here https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1679171484047-E8C374IAHBMFNOOTDDGD/IMG_6093.jpeg Adorn by Mandy Carroll - Opaque Colored Diamond Stacking Rings with 18k Gold Inquire here https://www.loriwarner.com/kate-cordsen-fog-series daily 0.75 2013-11-27 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388175270-AWVOFG785S2NQVZYGRCY/fog1.700wide3x4.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 1 Just released, a new series entitled Fog by Kate Cordsen. FOG 1 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388175469-F51UPAL9JVGDMMLGGM3C/fog2.700wide.3x4.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 2 Just released, a new series entitled Fog by Kate Cordsen. FOG 2 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388177369-87DV0PBKY1WLYNFRJQ9F/fog3.700wide3x4.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 3 Just released, a new series entitled Fog by Kate Cordsen. FOG 3 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388178170-EYCLKG3Z9T76NCZ74XAJ/fog4.700wide3x4.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 4 Just released, a new series entitled Fog by Kate Cordsen. FOG 4 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388175170-GPM6K2IDBWLA4RQYXTJM/fog5.700wide3x4.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 5 Just released, a new series entitled Fog by Kate Cordsen. FOG 5 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388175569-56PHBGJYUQAP5AQLCRO3/fog6.700wide3x4.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 6 Just released, a new series entitled Fog by Kate Cordsen. FOG 6 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388179470-YU86EJM65K2RIDU4MPZV/fog7.700wide3x4.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 7 Just released, a new series entitled Fog by Kate Cordsen. FOG 7 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388178769-16RBSJNG2855RMS1J2UC/fog8.700wide3x4.jpg Kate Cordsen Fog Series - KATE CORDSEN, FOG 8 Just released, a new series entitled Fog by Kate Cordsen. FOG 8 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388175370-M7RWAC42FUY40SD7C19G/fog9new.700wide.jpeg Kate Cordsen Fog Series - KATE CORDSEN, FOG 9 Just released, a new series entitled Fog by Kate Cordsen. FOG 9 (2012) 30 x 40 EDITION OF 18 + 2 AP'S Printed, mounted and framed pigment prints by Laumont Please contact the gallery by email or phone (860) 322-4265 for more information. Artists Statement https://www.loriwarner.com/kate-cordsen-ravine-series daily 0.75 2015-11-17 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388149653-FU467TL2H9X0F7L2SHU7/ravine3.700wide.jpeg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 3 RAVINE 3* (2012) 40 x 50 EDITION OF 4 20 x 25 EDITION OF 8 Artist Statement *featured in Grace Magazine, August 2013 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388151969-HGFHT0BCW7UCVZ7IPS4H/ravine2.700wide.jpeg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 2 RAVINE 2 (2013) 20 x 25 EDITION OF 8 Artist Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388152569-6ZN9B887IHWPGWYVHD5Y/ravine12.700wide.jpeg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 12 RAVINE 12 (2012) 40 x 50 EDITION OF 4 20 x 25 EDITION OF 8 Artist Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388151170-MFNOCHZIU96ATCMHRZXQ/ravine11.700wide.jpeg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 11 RAVINE 11 (2012) 40 x 50 EDITION OF 4 20 x 25 EDITION OF 8 Artist Statement https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388149026-3ERT4RB2WMD2BWWXHELD/ravine15.4x5.website.jpg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 15 RAVINE 15 (2013) 40 x 50 EDITION OF 4 20 x 25 EDITION OF 8 Artist Statement *featured in The Hartford Courant and seen in The New Haven Register, Shoreline Times, August 2013 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388149655-2I7EBVRLTAUSY2STR1N0/ravine16.4x5.binder.jpg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 16 RAVINE 16 (2013) 40 x 50 EDITION OF 4 20 x 25 EDITION OF 8 Artist Statement *seen in New Haven Register, Shoreline Times, August 2013 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388149026-S0KEMHIIUQNP3Y8DX81S/ravine9.700wide.jpeg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 9 RAVINE 9 (2013) 40 x 50 EDITION OF 4 20 x 25 EDITION OF 8 Artist Statement *featured in The Hartford Courant, July 2013 and Grace Magazine, August 2013 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523388152869-0EZ0SSYTHZMNKP3N6IIQ/ravine1.jpg Kate Cordsen Ravine Series - KATE CORDSEN, RAVINE 1 RAVINE 1* (2012) 40 x 50 EDITION OF 4 20 x 25 EDITION OF 8 Artist Statement *seen in Art in America, The New York Times, August 2013 and featured in Artscope Magazine, July 2013 https://www.loriwarner.com/projects daily 0.75 2018-07-03 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527267955337-40CR0QKJ87E0C97DULMM/Nest.ps.spotbowl01.JPG Artists Nest #, porcelain sculpture https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527266852823-K2FHYDVZHGMGZA9XT7W5/IMG_1326.jpg Artists https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527267854172-6QKOGDPDRUQ3FRH8H3QX/IMG_1331.jpg Artists Monotype, 15 x 11 paper size, 2017 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527267914532-GZRNP00F8S4RK1WRP72S/Nest.ps.bluespotegg.JPG Artists Stone #, porcelain sculpture https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1525819576338-GLNWT3VMBNBBSFO6S4AH/May2015.Chevron+Bowl.Peach.Bowl.8x10.jpg Artists https://www.loriwarner.com/location daily 0.75 2025-04-16 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523488684332-IQJNN4CPJWQKE5CJ05DQ/3ZJleB7HSSakhfjpUPJvjQ.jpg Contact/About/Misc https://www.loriwarner.com/new-page-1 daily 0.75 2024-06-13 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/c36b730c-0386-4dd6-97af-d5bd6d22680e/BR164Silver%26Gold.jpeg MANDY Carroll - Make it stand out Carved and cast bangle braces in 18k gold and sterling silver with black diamonds and rubies. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/17d6318e-3a9c-45c9-ac55-04e214788ecd/Untitled+3.png MANDY Carroll - Make it stand out Green tourmaline simple dangles with 18k gold, black diamond marquis pendant with 18k gold, rutilated quartz ring with 18k gold and sterling silver, London blue topaz stud earrings with 18k gold and sterling silver, long garnet pendant with 18k gold and sterling silver paperclip chain. https://www.loriwarner.com/the-woodhouse daily 0.75 2018-04-18 https://images.squarespace-cdn.com/content/v1/56cb3cba59827e93fe59b7ff/1456937331684-DAPRL2AFTJJJRL60L5SA/woodhouse-JessieWebster_Treehouse_22.jpg Carrie Gustafson https://images.squarespace-cdn.com/content/v1/56cb3cba59827e93fe59b7ff/1456937331679-F6WM5I8B0935B1AWTPMA/woodhouse-JessieWebster_Treehouse_25.jpg Carrie Gustafson https://images.squarespace-cdn.com/content/v1/56cb3cba59827e93fe59b7ff/1456937332015-PHPXN07PSE83PH4EYCG0/woodhouse-JessieWebster_Treehouse_26.jpg Carrie Gustafson https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523386942290-I6DUUD340R28NAFZ8H4A/lime+green+thistle.jpg Carrie Gustafson https://www.loriwarner.com/kate-cordsen-artist-statement daily 0.75 2013-11-27 https://www.loriwarner.com/average-joe-photo-show daily 0.75 2015-05-21 https://www.loriwarner.com/new-page-4 daily 0.75 2019-03-26 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527506375084-IVUDS0ZNJJG2A1ANK383/Screen+Shot+2016-01-23+at+8.50.03+AM.png Ann Lightfoot Opal cluster earrings https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527506996467-RMWAS7UWA3P059H56USE/AL1FALL2014.jpg Ann Lightfoot Hematite fringe necklace https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527506472892-E5OTA1XL3S8TDO84BP1R/Screen+Shot+2018-05-23+at+12.43.32+PM.png Ann Lightfoot Pieces from the Spring 2018 Collection https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527097057015-3L0UE1SUPLZ8E319D08Q/ALSpring2018.jpg Ann Lightfoot https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527507054983-97VETAFR2MJR04WMIX2Z/Screen+Shot+2018-05-23+at+12.43.53+PM.png Ann Lightfoot Quartz flower earrings https://www.loriwarner.com/events daily 0.75 2023-12-08 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1612546525392-ZJXVLMVA4YDZFHZUJJHH/ValentineStoneShowWithAdorn.png Events https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1611010664217-JCIQ8WZKOTE7V0GMAT0F/8D0D15E4-7ABC-49E7-ABD4-C8D4911004A4.jpeg Events Winter at the gallery and Swoon 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https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1541857504676-D3WKUQAVXWM7J48O7IRH/Florence+03.png Events https://www.loriwarner.com/home-1 daily 0.75 2018-04-13 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523465299249-86BRLXII2N5CRVTC86O4/Fog+01.300dpi.jpg welcome. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523465483377-LPWLPDMREEAZS1G57LQT/CARRIEgoldbowl.jpg welcome. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523486882207-FN8ND4CTIDT6VBFLVXXF/LeivaTourmER.jpg welcome. https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523459000234-03ZRU7Z68Z00FMDZG0QJ/KIM_9817.jpg.med.jpg welcome. https://www.loriwarner.com/lori-warner daily 0.75 2018-04-17 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1523391255944-DPHQYTSL8ZE29TFGICJA/Across+the+Sound.jpg Lori Warner https://www.loriwarner.com/carries-page daily 0.75 2019-03-27 https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527465239481-0URHT1Z2LA4IADRDYG4Z/TRUSLOW080402_Adana.jpg Carrie Gustafson Adana Bottle https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527465756871-1SXMG9U5WB0TVNE6RJGF/melon+bottle+and+bowl+smithsonian.jpg Carrie Gustafson Thistle Bottle, Lotus Bowl https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526416311656-TUVYNEKESDVQ6LXXXVFB/CarrieGreenPetalBowl.jpg Carrie Gustafson Petal Bowl https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527465345565-7CNLMGIUMN4DDZGM8P5A/Persimmon-Mbola-new-site.jpg Carrie Gustafson Persimmon Mbola https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1527465014620-DA341SAHXSH7XSIHCMFC/IMG_3229.JPG Carrie Gustafson Pebble, detail https://images.squarespace-cdn.com/content/v1/5acd07ffe7494051160846e3/1526415920255-0Q7GAMJK70O37RMVUEI4/CarrieBottles.jpg Carrie Gustafson Thistle bottles 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